iwishicoulddescribeittoyoubetter. » together


the blog below is written from beijing, new york, vienna, sendai, thessaloniki, tokyo, berlin, osaka and zürich. there are a few of us, and this is the space in between.



please meet here and now

An Appointment
Alexanderplatz, Tuesday, 27 January 2009, 18.00

ling_alax001[photo by 高灵 Gao Ling]

This is your latest minute notice to our meeting and appointment. Please come to Alexanderplatz station, the platform of the U8 line, between Le Crobag bakery and the Presse + Buch shoppe. Apologies for having been so late all the time lately, does 18.00 sound like a weak quantification of all the things i haven’t caught up to yet?

Please meet me, even if we don’t know one other. No one knows each other here, so let’s just try to remember that fact of all that we know we don’t know, that feeling that you next to me may have noticed it, too.

Mostly we’re ignorant. But I wanted to meet you anyway, an appointment in and of itself as a time and place predetermined. A context embedded into itself, choking, documented. Itself, itself, itself.

And a broad, come with—-first-time everything…

——–
An Appointment is part of the continuing PUBLIC research project by Elaine W. Ho and Fotini Lazaridou-Hatzigoga. Organized as a daily series of experiments, interventions and discourses, PUBLIC aims to examine the potentiality of latency and open spaces made possible in the relations between individuals and publics. Other activities are posted here. Some are open invitations to all, others are unannounced insertions in different locations throughout Berlin. 22 January - 1 February 2009.

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sitting still in concentration, hindi-arabic, as the plane takes off

younity

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two thousand and nine, we try more, we try better

we step out of the house [10] just before midnight, funny [9] noise as we run down the [8] stairs, wanting to be there [7] just in time for the [6] new year, many people on the [5] street, what time, what year [4] is it now in japan, in greece [3], in china, [2] the fireworks set off [1], here we go again, the champagne bottle [2] pops open, and the neighbour with [3] his daughter find it funny to throw the little fireworks [4] at us and laugh as we get scared, sigh, optimism [5] wears off easily and we retreat upstairs [6] again, one more sip of champagne [7], wishing for better neighbours in this [8] new year.. and.. and.. and.. everything.. [9] for all of you, faraway and close..

abstract2009

abstract and blurry but right here in front of you

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你说你的2008年,又过一年,一早上后是第二天前

thank you… now sleepy… second sabbatical…

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女泉主义

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being far away

in the dark                                                                   feeling for an edge                                                       where we can pretend home                                                     where north is true

fumbling against                                                             how are you, and how are you                                                 i miss you, it’s not the same 

the edge being far                                                           the dark being wide                                                           and everything inbetween

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what makes my vacation vacation
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理变奏曲 variations on lǐ
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filmed in new york city, autumn 2006. summer 2008 finally got around to… thank you sim-chan and aka-chan and D-chan!

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re:presentation

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a quick study

without hesitation or ambiguity, he said, ‘it is like going to war.’ and almost as surely, i understood. through three generations, fifty-eight years, one thousand four hundred and twenty-one miles, thick as molasses blood, steady hospital landline, yuan fen. sometimes, all it takes is a little reminder and good time spent together. thegood4.jpg

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resort ‘08 (the texans and then some)

deerhead2.jpgsplittree.jpg superiortrading.jpggivegiven.jpgdallastexas.jpgkirincourt.jpgembellishments.jpg

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挖你的鼻子,挖你的朋友 pick your nose, pick your friends

picknosepickfriends.jpgCHAN,高灵,路路,和小蔡在2007上海国际创意产业活动周, 11月15日到11月21日。”we are here for networking.” (高灵拍的照片 photo by Gao Ling)

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